Use It or Lose It

by administrator on December 9, 2011

On Saturday 3rd December I was part of a Radio 3 drama ‘Use It Or Lose It’, a radiophonic play created by Peter Blegvad and Iain Chambers, charting the failing memory of a fictional GP, Charles Proctor (Peter Blegvad).

With Dame Harriet Walter and David Horovitch starring, it combined narrated fiction with observations from the world of history and culture. The programme used radiophonic music and sound design to take us inside Charles Proctor’s mind.

As Dr Proctor descends deeper into amnesia, we hear voices reflecting on memory: Walter de la Mare, Rabbi Ben Ezra, Alfred Lord Tennyson, Emily Dickinson, William Wordsworth, Luis Bunuel, Harold Pinter, Francis Galton, Rene Descartes, W.B.Yeats, and Elvis Presley.

And we encounter a new age healer, Madam Aladdin (Harriet Walter), a radical who advocates going with the disease. She entreats Dr Proctor to join her Lamp Camp and Illumination Showroom, and embrace amnesia as a way of “extending the boundaries of the self – of becoming someone else”.

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Home Movies

by administrator on October 18, 2010

Emma has just finished filming a short called ‘Home Movies’ for MY Production company on the only day it didn’t rain..thank god! It will be entered for the Queens Park Film Festival in November.

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In The Gloaming podcast

May 1, 2010

Emma has been performing in In The Gloaming, an anthology series of comedy-horror podcasts in the vein of Tales of The Unexpected and Hammer House of Horror released almost-monthly. Written and directed by Nathaniel Tapley and produced by Raoul Brand. Listen to an episode [Audio clip: view full post to listen] Reviews “I thought that [...]

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Another Macbeth video clip

July 14, 2009

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Macbeth review in The Stage

June 29, 2009

I played Lady Macbeth in C Company’s recent product of Macbeth. The Stage reviewed it and said some nice things. The C Company’s brisk Macbeth, performed within the time constraints of a lunch hour, captures the relentless speed of Shakespeare’s shortest play with minimal sacrifices of clarity and characterisation. In this modern dress staging, Edward [...]

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